Being a ‘seat of the pants’ writer, my favourite part of putting stories together is conflict. Because I have no end in sight,

Courtesy of Warner Brothers Studios
Courtesy of Warner Brothers Studios

I’m right there with my characters as the conflict is introduced and I have no idea how I’m going to solve it. With my last book, I had introduced so much conflict, I spent three weeks believing I had written myself into a corner and there was no way out. For the first time, I was seriously considering breaking my own rule of never looking back until the first draft is complete. I would have to go back and rewrite some of my earlier scenes and simplify them.

In my head, my characters were saying “No, don’t do it. We can solve this. Just give us a little time.” Another three weeks went by with barely a word written and myself in a constant daze, believing there was no way out. When the answer finally came to me, I knew what had to be done and realised why I had been avoiding it. It meant killing off one of my main characters. For any author, this is never done lightly, and when I did write that scene, I was emotionally exhausted. My daughter was visiting at the time and gave me a hug when she saw what a wreck I was. She reminded me of one of the principles I had shared with her about writing over the years. “Just like you’ve always said, Mum, the Daffy Duck principle must rule.”

Now, I know at this stage, you probably think I’ve lost my marbles, so allow me to explain. For those of us old enough to have thrived on the Bugs Bunny Show as children, Daffy Duck was always my favourite. In one cartoon, “The Scarlet Pumpernickel” Daffy, tired of being type cast, pitches to a Warner Brother’s exec about an exciting film he has written and intends to star in. We get to see his blockbuster and the exec is getting more excited by the minute. “Yes, yes… and then what happened?” Daffy is buried in the pages of his long script, getting more and more exhausted as the conflict builds. A storm comes, the dam breaks, a volcano erupts and still it is not enough for the exec. Now I won’t mention here the ending, but basically, as I had told my daughter, “Someone has to die.”

Daffy gives us a very basic model about how the conflict must build continually, right up until the end. As authors, I believe we need that ‘edge of the seat’ feeling within our stories, making the reader wanting to turn the page. We need tempo to give our readers a breather and relax, but not for too long. With my latest book being 260,000 words (745 pages) long, I had the challenge of keeping that up and it wasn’t easy.

Having well defined characters is essential. Each of them must be true to their nature and approach the conflict as only their character would do. A story must have one enduring conflict right through, which is what the story is about, but there needs to be many more that are stopping the protagonist from achieving their ultimate goal. If it’s getting too easy to solve, it’s time for that volcano to erupt.

AuthorPicCatherine Taylor is an erotic thriller/romance author living in the South Island of New Zealand. Writing has been a passion for over forty years, and in that time she has written stories, plays for the theatre and screenplays for film. In 2012, she self-published the first of her five books, all of which have been top 100 bestsellers in erotica on Amazon UK.
When she is not writing, she is a wife of 30 years, a mother of four and a grandmother to two. Her other passions include genealogy and acting, and she has appeared in two feature New Zealand films and worked on film sets alongside such greats as Anthony Hopkins.

The Daffy Duck Principle of Conflict – by Catherine Taylor
Tagged on:         

Leave a Reply

Your email address will not be published. Required fields are marked *