The AI Controversy

Lately, I’ve been seeing a lot of ads that proclaim that writing a book and making money through Amazon is quicker and easier now than ever.

But here’s the thing. It’s written via AI.

And here’s another thing. Amazon require you to say whether the book was written, in part or full, with AI.

Can you tell if a book is written by AI? Here are some things to look out for:

  1. Consistency in Style: AI-generated text often maintains a consistent style throughout the entire book. While this can be a strength, it might also lack the subtle variations and unique voice that human authors naturally incorporate.
  2. Repetition: AI might inadvertently repeat certain phrases or ideas more frequently than a human author would. This is because AI relies on patterns in the data it was trained on, which can sometimes lead to redundancy.
  3. Lack of Deep Emotional Insight: While AI can generate text that mimics human emotions, it may not capture the depth and nuance of genuine human experiences. The emotional arcs might feel somewhat flat or predictable.
  4. Predictable Plot Structures: AI tends to follow common narrative structures and tropes. If the plot feels overly formulaic or lacks unexpected twists, it might be a sign of AI authorship.
  5. Technical Perfection: AI-generated text is often grammatically flawless and free of typos. While this is generally a positive trait, it can sometimes make the text feel less “human” and more mechanical.
  6. Lack of Cultural and Contextual Nuance: AI might struggle with cultural references, idiomatic expressions, and context-specific nuances that human authors naturally incorporate into their writing.

That said, AI is constantly improving, and distinguishing between human and AI authorship is becoming increasingly challenging. The best AI-generated texts can be quite sophisticated and engaging, blurring the lines between human and machine creativity.

I asked AI to tell me how to tell if a book was by AI. The above is what it said. Scary isn’t it that it can look like something a human wrote.

While I’m not happy about books being written by AI, I’m happy to use it as another tool in my writing tool box.

I use it for brainstorming ideas. I might ask AI to come up with ten ways for a character to do something romantic, or ten story ideas for a Scottish basketball team. I then use those ideas to form further concepts from there. Sometimes the ideas are fantastic, and I want to use them as they are, but I always write the story in my own words.

Other AI tools that writers use, and might not be aware of, is Grammarly and Pro-Writing Aid. Both of these grammar programs will make suggestions for any errors it finds in your writing. Sometimes it is correct (yes, I do need a comma there) and sometimes it isn’t (This speech is in present tense, but the rest of the sentence is in past tense). It is the writer who has to decide which one to use and accept or ignore.

As things progress further, it will become harder to determine if a story is AI generated or not, as computers become more self-aware (I’m sure there’s a movie there…) If you aren’t comfortable with AI generated stories, then stick to the writers you know who write their own words and support them and their work.

2025 Goals, Dreams and Wishes

Welcome to 2025! Did you set any resolutions? I didn’t. I don’t because I can’t keep them. But I do make small changes in my habits throughout the year, which culminates at the end of the year with a fitter, healthier, slimmer me. I’m pleased with the changes I made last year and hope to make more this year.

I do set goals for my writing, and I have purchased Joanna Penn’s Your Author Business Plan because this year, I am going to take my writing seriously.

I was out for a walk on Friday and decided that since I’m not working (at present, I have work for about 12 weeks over apple picking season), I will write until my fingers bleed (okay, maybe a little bit less dramatic than that), and work towards building up my writer business, platform and products. If I can build my writing business to make at $50,000 then I won’t need to look for full time work.

Of course, this is a big leap for me. I made my first $100 last year, from the previous 9 years of writing. So, I haven’t even reached my first goal from last year of making my first $1000. It’s a huge leap to expect me to earn $50k from my books this year, but if I don’t try, then I won’t know if I can do it or not.

I also want to write at least three books this year, again, and stretch for that fourth book. I did write three last year and published two books. This year I want to publish at least three (Finding Sam Healey, Carol’s Christmas and the first of the Racing Harts books).

But to start the year off, I am embarking on a little secret project. So, secret that I can’t tell you otherwise I’d have to kill you. But all will be revealed. I should know in the next couple of weeks if I can do it or not. But I know that I can write a book in 30 days, so I plan to give myself a little grace and work on 45 days. I should be able to write just over 8 books a year if I mathed right. But I don’t want to burn out, and I know that at least two weeks in between in a good break, because I’m normally busting to keep writing again after two weeks off.

My dream is to be writing “full time” within 5 years (4 if I count last year). Is this achievable? Maybe, I have a whole dream board with my five-year plan on it, including what cars I want and when, and then I had to calculate in my partner’s Monaro as well.

It’s going to be a big year for me. One I am ready to tackle head on, because I can do this, I just need to put the effort and work in.

What are your goals and dreams for your future?

Reading, Writing, Editing and Planning, Oh My!

I finished Hope’s story on Thursday, much to my relief. Because coming up to Christmas things will start to get really busy, even if I’m not working.

I’m hoping to start Grace’s story in January, because when I write, I like to keep the flow going by writing every day, and with Christmas, then New Years, there would be too many disruptions for me to keep the continuation of the story. And as I explained last week, Grace’s story is actually going to be the second story, even though I’ve written it last. There is an overarching story over all three stories, and threads of that will need to be woven in with Grace’s story and then continued on when I edit Hope’s story. This is the story of their dad, who left the girls when they were young, after their mother died. I also plan on writing a prequel novella and sequel novella to wrap up the story.

And talking of stories, I’ve headed back into Finding Sam Healey and reworked my first chapter or two. The first part of the book are letters, so that part has been edited. And now I’m into the diaries part. I’m enjoying what I’m reading and sometimes surprise myself with how much I like what I’ve written.

I’m toying with my next few stories and starting to think about my plan for next year. There will be at least two books published, possibly three, but we’ll see how we go. Planning the next twelve months will be fun.

And the Edits Start

Last year I wrote Finding Sam’s Family, which I changed the name to Finding Sam Healey, to reflect the Finding Yourself series which started with Finding Amy Archer. I thought having the surname worked better than ‘family’. While I’m editing, I refer to my book by the initials, in this case, FSH. FAA was Finding Amy Archer. It’s just something I do.

When I’m editing, I do a quick read through, taking notes on post its before I sit down, with said post its and work through the story, and incorporating any of the changes I thought of. This might be as simple as ‘change the start of the story’ to ‘first person POV (point of view). Once I’ve worked my way through some of the edits, I will bundle up a bunch of them and send them to my critique partners for them to read and make sure that it makes sense, that they like the characters, and the storyline follows logic.

Once I get the critiques back, I work through them and make any changes that may be needed. Sometimes it can be hard to swallow some of what the partner’s say, but sometimes it is crucial to the story, so changes are made. If both say the same thing about the same part of the story, then I know that something needs to be worked on.

Once I’ve edited the next section, I send away to the critique partners and I get it back, and this continues until the story is edited thoroughly. I then put it through a spell / grammar check, and I listen to the story being read back to me. It’s surprising how many words are missing, or wrong words used until you hear it back.

Once that’s all done, I normally book it in with my editor, unless I have already done that. But a novel can take me a couple of months to get through, so even though I’ve started editing, it might not be finished until January, all depending on how I go.

At this stage, I’m looking at booking the editor for February, and hopefully release Finding Sam Healey May next year.

At this stage, I haven’t started writing anything new. I like to have a break, plus still trying to work out if I want to do NaNoWriMo (National Novel Writing Month) in November. I’ve done it before, and I’ve done Camp NaNo, which I also won. I like to have a break to allow my creative juices to flow, and they are flowing. I have about five story ideas lurking in the depths of my brain.

Hope you all have a lovely week. Take care out there.

I’m Finished. Now What?

I finally finished Faith’s story this week. Oh, how that woman tested me. I certainly was losing Faith, but I knew how I wanted the story to end. And dammit, I ended it my way.

So now that’ I’ve finished Faith’s story (one of three sisters who are into racing, hence Racing Harts being the series name), what do I do with the story.

Well, I let it sit. For a while. Some authors jump straight into editing, but to be honest, I kind of like to let mine sit for a bit longer, normally about six months. Then I will pull it out, do a quick read through, making note on sticky notes (which I LOVE), and then I work through and start editing, changing bits here, things there, adding in a dash of spice, a touch of pepper, stir and mix. Then I send it to my critique partners. The read through it, laugh out loud then confirm that it’s a bunch of bullsh!t and I feel terribly bad. No, seriously, by the time I’ve edited it the first time, I think it’s crap. My critique partners come back with thoughts, any comments about plot holes – (what happened to this guy in your story?), and generally their opinion about the story. These are actually very helpful, and after drinking plenty of whisky, I actually allow myself to sit down and read what they’ve said.

The final part of my editing process is going through the story AGAIN, and then listening to it being read on my computer. It really picks up lots of errors and missing words that others had missed, because we sometimes all know where the story is going.

Once I’m happy with the story, I send it to my lovely editor who reads it through and then comes back to me with edits that may be required. Mostly they’re grammatical errors, because for some reason writers write, they don’t talk or do grammar. (Writers don’t math well either.)

So, there you go, that it what happens to my story from start to finish, which generally takes a year from starting writing to publishing it.

Now, I’m not doing much writing, because I am in the process of formatting Compromising Positions and getting it put up for pre-order.

I hope you had a great week. Take care out there.

Catherine